All Jean Baptiste Camille Corot Oil Paintings

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
 
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Jean Baptiste Camille Corot The Colosseum Seen from the Farnese Gardens (mk05) oil on canvas


The Colosseum Seen from the Farnese Gardens (mk05)
The Colosseum Seen from the Farnese Gardens (mk05)
Painting ID::  20899 		  1826 Paper on canvas 12 x 19 1/4''(30 x 49 cm)Salon of 1849;bequeathed by the artist,1875 R.F 154(G/AR)
  1826 Paper on canvas 12 x 19 1/4''(30 x 49 cm)Salon of 1849;bequeathed by the artist,1875 R.F 154(G/AR)

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Jean Baptiste Camille Corot Ischia,View from the Slopes of Mount Epomeo (mk05) oil on canvas


Ischia,View from the Slopes of Mount Epomeo (mk05)
Ischia,View from the Slopes of Mount Epomeo (mk05)
Painting ID::  20852 		  Canvas 10 1/4 x 15 1/2''(26 x 40 cm)Given by E.Moreau-Nelaton in memory of his son ,1919 R.F 2231(MN)
  Canvas 10 1/4 x 15 1/2''(26 x 40 cm)Given by E.Moreau-Nelaton in memory of his son ,1919 R.F 2231(MN)

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Jean Baptiste Camille Corot The Bridge at Narni A study (mk05) oil on canvas


The Bridge at Narni A study (mk05)
The Bridge at Narni A study (mk05)
Painting ID::  20881 		  Paper on canvas 13 1/2 x 19''(34 x 48 cm)A study done in 1826 for a painting exhibited in the Salon of 1827(which is now in the National Gallery of Canada,Ottawa)Given in 1906 R.F 1613 (S/AR)
  Paper on canvas 13 1/2 x 19''(34 x 48 cm)A study done in 1826 for a painting exhibited in the Salon of 1827(which is now in the National Gallery of Canada,Ottawa)Given in 1906 R.F 1613 (S/AR)

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Jean Baptiste Camille Corot The Church of Trinita dei Monti Seen from the Villa Medici (mk05) oil on canvas


The Church of Trinita dei Monti Seen from the Villa Medici (mk05)
The Church of Trinita dei Monti Seen from the Villa Medici (mk05)
Painting ID::  20883 		  Canvas 17 1/2 x 29 1/4''(45 x 74 cm)Acquired in 1912 R.F 2041 (G /AR)
  Canvas 17 1/2 x 29 1/4''(45 x 74 cm)Acquired in 1912 R.F 2041 (G /AR)

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Jean Baptiste Camille Corot Florence View from the Boboli Gardens (mk05) oil on canvas


Florence View from the Boboli Gardens (mk05)
Florence View from the Boboli Gardens (mk05)
Painting ID::  20884 		  Canvas 20 x 29 1/4''(51 x 74 cm)Given in 1926 R.F 2598(S/AR)
  Canvas 20 x 29 1/4''(51 x 74 cm)Given in 1926 R.F 2598(S/AR)

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     Jean Baptiste Camille Corot
     1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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